Lenka Sýkorová

* 1957

  • "That was the exam period, in January, when we were not in Prague at school, but then when we arrived, in February, during a Czech lesson, which was the second subject, a comrade, a Youth Union member, came in and said we should sign that we condemn it. And we said that we would sign it, but let them read it to us. They wouldn't let us read it. I wasn't from a group where I could get the Charter. It wasn't until later that I got involved, thanks to Sýkora. But not before that. So we were quite honest and said that they should let us read it, that we would sign it. Then the comrade wriggled out of it and left, and I think he wrote somewhere that we didn't want to sign it, but I think there were more people like that. That it didn't work at university, they didn't have anything to blackmail us with. But in art school, for example, it wasn't discussed at all. When I married Zdeněk, I asked him about it. And he said that if he had been at school, he probably would have signed [Charter 77] because he knew all those people. So I asked him why he didn't sign it, and he said that when he went back to school he asked what it was about and who signed it. And he had problem with some of the people who signed it. He said he wouldn't sign it with them."

  • "And then he actually got on the list, but it does not exist. That's the interesting thing about it, how it worked. I like the way it works. Nobody got written, 'You can't exhibit anymore.' They didn't even write in the gallery, 'These can't exhibit...' That was actually unwritten. They couldn't... To this day, they can't name anybody or condemn anybody for the fact that it was basically forbidden. Everybody knew them, those who don't exhibit. Suddenly, those who had been previously put aside took power. Because these artists, and there were dozens of them, grew up. In the 1960s they became artists who brought new directions, modern art, and they started to exhibit abroad - Zdeněk Sýkora from 1966/67. In those three years he became a respected European artist. And he was not the only one. And of course it was a thorn in the side of those who were national artists here, the renowned ones, and they suddenly overtook them. Zdeněk told me about an exhibition that was abroad. He said it was the first Czechoslovak exhibition. And now, who will be chosen there? So they chose national artists and some progressive, modern ones. Well, what happened? They were interested abroad in the younger ones - and those who were there knew that this had happened. So the moment they could give it back to them, in '72/73, of course they did."

  • Celé nahrávky
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    Louny, 21.10.2024

    (audio)
    délka: 01:57:47
    nahrávka pořízena v rámci projektu Příběhy regionu - Ústecký kraj
Celé nahrávky jsou k dispozici pouze pro přihlášené uživatele.

The communists resented our independence

In 1988, working in the studio. Photo Miroslav Kukla
In 1988, working in the studio. Photo Miroslav Kukla
zdroj: witness´s archive

Lenka Sýkorová, née Plochová, was born on 16 June 1957 in Pilsen. After grammar school she began her studies at the Faculty of Arts of Charles University in Prague, majoring in Czech language and art education. There she met the important painter and artist Zdeněk Sýkora, who was a lecturer at the school. And it was with Zdeněk Sýkora, who was thirty-seven years older, that the witness fell in love. In 1983, two years after her graduation, they married. She worked as a language proofreader at the State Pedagogical Publishing House and collaborated with Zdeněk Sýkora on exhibitions, for example at the German Bottrop, and on the creation of his work. Lenka Sýkorová is the author of several books on the work of Zdeněk Sýkora, which she wrote in the 1990s. Her husband died in 2011. In 2019, she supervised the transfer of the motif of the former curtain of the Vrchlický Theatre in Louny (designed by Zdeněk Sýkora) to the piazzetta in front of the theatre. In 2024, at the time of the recording, the witness was living in Louny. The memories of the witness were recorded with the support of the Louny in Memories project.