Jolanta Piątek

"These were books hidden with different people because they couldn't be in one place, because then someone might find them and confiscate them all. The borrowing diaries were in different places, a few books were there, a few were somewhere else, they were scattered around to different people. The library grew throughout the 1980s, because there were quite a few [uncensored] publishers until 1980. It was single books, it was only when Zapis started to come out, it was only when it started to pick up momentum, and it grew very much in the Solidarity period. Before Solidarity, there weren't so many, mostly books from Kultura in Paris or from London. A lot of them were miniature books, although even those started to increase after 1980. Miniature Cultures and others, although I don't know about then, but now I wouldn't read them even with my glasses on, because they were miniature prints that could actually spoil most people's eyes, because you could read such prints with a lot of self-denial, but some books were just available."

"Tadeusz Kuranda was responsible for the graphic part, so he is the author of the festival logo and all the prints. Remik Lenczyk, who had an antiquarian bookstore on Plac Uniwersyteské, was also responsible for the books he was supposed to sell. Jarek [Broda] was responsible for information, i.e. the press office. Igor Wójczyk for the painting exhibitions, Krzysztof Jakubczak for the outlets. What else was there... I don't remember who was responsible for the films. Dementi took care of the photography and Aszka Czarniecka and Grzeszu Braun were in charge of filming. I hope I've listed them all, if I remember correctly."