Otomar Dvořák

* 1951

  • "Or there was a sleek gentleman, highly intelligent, you could see that by looking at him, he had a leather jacket - it's strange that they wore leather jackets, they were State Security officers. And he brought a list of bands that we must definitely ban because they are undesirable and must not perform in the district, and we must tell all those national committees that they must not allow them at the dances. Okay, well okay, so I took that list and the first thing I did was I invited the heads of those individual bands and I said, 'Look, you're in trouble, somebody must have ratted you out or something, you're just not allowed to perform. Just do the thing, get another founder and change your name. So that's how we dealt with it and the worst part of it was, it was pretty shitty I would say, that these denunciations came from competing bands a lot of the time. That was horrible, members of some rock band, they should all stick together, and they wrote denunciations to the other bands that they had unapproved repertoire and that they were playing unwanted new wave and wearing some masks and that shouldn't be done, and they normally sent it to that union and even higher up, to the county. Well, there was nothing that could be done about it."

  • "But for me it was a little bit different because I liked to paint stories. Because as a kid, without even knowing it, I was already making comics. I just did a series of different pictures that I would then show to my parents and different people, but I had to tell a story to go with it. And I'd say, 'Now this hero here, and now this hero here, he's been attacked by tigers, and this hero fell off a boat into the sea, and sharks. Yeah, I liked these adventure stories terribly, when I learned to read, I read terribly. That was my only passion. I didn't really like going to school otherwise, but maths - that was pretty depressing, but when I learned to read, I read everything we had at home. Then I borrowed books and so on. Some of the teachers supported me in that, but unfortunately only some of them."

  • "This is where I come to my first personal memories, because for me, living in this villa was a huge adventure. I guess it shaped me a little bit for the future, because as far back as I can remember, even as a kid, I have these vague memories. Because there was the advantage, for us as kids, that the villa was in a beautiful huge park. It doesn't exist anymore, there are new factory halls there instead. The other day I went by there, and there are only a few of the original trees left, which grew on the edge, a big spruce tree, and otherwise it's all built up, everything has been ploughed up, but originally there was a beautiful garden, one towards Hořovice, with a fountain and various statues, they didn't stand there then, just pedestals. That is, by the time we were there as children, it was badly devastated, the garden. It [was] already derelict, just the fruit trees, it was already blighted, but for us, for the boys, on the contrary, it was all the better because it was something like that for us, as we know, for example, the Garden of Trnka, the story like the forbidden garden, so here behind the fence... But we were there as natives, so we had such privileges... We used to go through those thickets there all the time and play Indians and stuff like that and like full of experiences."

  • Celé nahrávky
  • 1

    Praha, 26.11.2024

    (audio)
    délka: 02:15:37
    nahrávka pořízena v rámci projektu Stories of the 20th Century TV
  • 2

    Praha, 17.12.2024

    (audio)
    délka: 02:01:00
    nahrávka pořízena v rámci projektu Stories of the 20th Century TV
Celé nahrávky jsou k dispozici pouze pro přihlášené uživatele.

Reports against musicians inconvenient to the regime came from rival bands

In my youth
In my youth
zdroj: archive of the witness

Otomar Dvořák, writer, screenwriter, dramaturge and actor, was born on 14 January 1951 in Prague-Podolí to parents Otomar and Maria, née Šénová. His father worked at the Machine Tool Factory (TOS) and was interested in technology and astronomy, and was one of the founders of the observatory in Žebrák. In this town the family lived in the villa of the former owner of TOS Josef Volman. Even in his childhood, Otomar Dvořák drew comics, invented adventure stories and made short films. After finishing nine years of school, he trained as a milling cutter and was then admitted to an industrial school. In August 1968, he witnessed first-hand the dramatic events associated with the invasion of the Warsaw Pact armies. In 1975, he was accepted to study at the Film and Television Faculty of the Academy of Performing Arts in Prague (FAMU), majoring in screenwriting and dramaturgy. At that time he had already published short stories in magazines and worked at the District Cultural Centre in Beroun. After graduation he worked briefly as an assistant director at Barrandov, then became an employee of the Cultural Centre (KS) for Prague-West and at the same time an inspector at the Department of Culture. He was in charge of supervising theatre and cultural groups. He experienced the denunciation of bands by other musicians for competitive reasons. He was involved in theatre activities, made short films and music videos. Until 1989 he was the dramaturge of the Semafor theatre. In the 1990s he had minor acting opportunities, for example in the film Tank Battalion. He worked as a journalist and published in the Ivo Železný publishing house and the magazine Fantastická fakta. He and his second wife, artist Eva Zajícová, collaborated on performances at the Municipal Theatre in Zlín. For Czech Television he created several documentary series with historical themes. His most extensive work as a writer has been in non-fiction and fiction inspired mainly by history and his childhood and travel experiences. In 2024 he lived in Prague.