Milan Bartoš

* 1951

  • "We had such a 'scalp'. We made a mould that was used to print the blueprint for the Olympic costume. And that mould was also used to print the fans, which were made of real blueprints. Zuzana Osako was the designer of the whole Olympic collection. She took blueprinting to incredible heights."

  • "I met my wife. There was a similar story. Her father studied law, but he was also sidelined and ended up working in some agricultural facility. Meanwhile, people started coming to him for help. He wrote complaints for them, which made him a target. They cracked down on him and staged a show trial. It was held in our cultural center, with a packed hall. Just imagine—a man living a quiet life, suddenly dragged into a venue full of people shouting, ‘Hang him!’ It was all orchestrated. He was sent to Jáchymov, and when he came back from there, he was a completely different person."

  • "After nationalisation they lost some machines. So they joined the national company Tiba. My mother was already a colorist. That's where I developed a relationship with being quite 'hooked' on flowers and things like that, because from a very young age - before first grade - I was drawing and painting. I knew the ins and outs of how to paint and draw flowers."

  • Celé nahrávky
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    Hradec Králové, 23.04.2024

    (audio)
    délka: 01:06:36
    nahrávka pořízena v rámci projektu Příběhy regionu - HRK REG ED
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The blueprint followed him throughout his life

Milan Bartoš in his workshop, 1990
Milan Bartoš in his workshop, 1990
zdroj: Archive of the witness

Milan Bartoš was born in Dvůr Králové nad Labem on 17 October 1951. His grandfather was a small businessman who had a pattern-making workshop. His father and mother continued the family tradition. After the communist coup in 1948, part of the workshop equipment was confiscated from the family. The parents were forced to start working as employees in the Tiba textile factory in Dvůr Králové. Milan Bartoš was influenced by his family‘s craft tradition and folk art. After finishing school, he started working as a copper mould engraver at the Tiba textile factory in Dvůr Králové. In 1975 he got married. He needed to support his family, so he worked for some time in better paid jobs as a fire truck driver and later in the Detva Bratislava manufacturing company. After returning to Dvůr Králové, he returned to the production and repair of blueprint moulds in his own workshop. At the beginning of the 1980s, he added a partner, Jaroslav Plucha, to his workshop, with whom he still cooperates today. His son Tomáš also joined the workshop, so that the last blueprint workshop in the Czech Republic gained a successor. In 2020, Milan Bartoš and Jaroslav Plucha were awarded by the Ministry of Culture of the Czech Republic as „Carriers of the tradition of folk crafts“. Milan Bartoš raised two sons, Jan and Tomáš, and was still living in Dvůr Králové nad Labem at the time of filming (2024).