Zdeněk Raboch

* 1946

  • "I remember an aspiring DJ who wanted to get his qualification. He played Stop! In the Name of Love, a song from the repertoire of The Supremes, a black girl group. The Hollies covered it in the 1980s and recorded it pretty much the same way. The lyrics ar eabout love. To please the jury, the guy said: 'The Hollies are going to sing us a song now that just hit number 10 on the New Musical Express chart. It says: 'drop the guns, drop the tanks, stop the war.'' Thee chair of the jury, Jaromír Tůma, jumped up and said, 'Can you play the song again, specifically the bit where it says that?' It didn't say that - it was about love, a silly love song. The guy got kicked out. He wanted to please the jury and lied that the song was committed. That's what they wanted us to play - committed, tendentious songs."

  • "When I found out they were doing discos in Prague from people who studied or worked there and went to discos at the Dynacord Club and the Sluníčko, I said, 'damn, I have piles of records, I could do that too'. The problem was that I'd never seen a disco before. But I listened to the radio; Radio Luxemburg was amazing. I loved the way the DJs spoke. They would raise their voices, shout, gibber and then maybe whisper again. I sort of liked that more than the actual songs. I thought to myself, 'well, I guess that's how you do disco'. So I started doing it their way."

  • "I formed the first 'bigbeat' [rock] band in the West Bohemian Region in 1962 at age 16. It was called Memphis because that's where Elvis Presley lived then, and we played rock'n'roll from his and Little Richard's repertoire. These days, bands play their own songs with their own lyrics, but back then there was hardly any Czech singing. Everything that was in English counted. We sang in what we called 'Kahovian', derived from the Prague singer Karel Kahovec. He didn't speak English and neither did we, so we sang this gibberish and made it sound like English. Back then, people accepted it as cool; that's the way it was and the way it should be."

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    Plzeň, 18.06.2024

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I was the first DJ in Plzeň

DJ Zdenek Raboch, likely at Dominik club in Plzeň, early 1970s)
DJ Zdenek Raboch, likely at Dominik club in Plzeň, early 1970s)
zdroj: Zdeněk Raboch's archive

Zdeněk Raboch was born in Kladno on 28 March 1946. His father Emil was a First Republic military officer kicked out from the army in the 1950s. His mother Jiřina, née Musilová, worked in a preschool. He was interested in music from a young age, enchanted by the songs of the Semafor theatre and the early rock and roll of Elvis Presley, Bill Haley, Little Richard and other rock pioneers. Aged sixteen, he formed Memphis, the first ‚bigbeat‘ band in the West Bohemian region, playing bass guitar along with guitarist who later became famous as the frontman of the band Katapult, Oldřich Říha. He trained for a turner at Škoda Plzeň and enlisted for two years in the army in Stříbro in 1965. He had an valuable source of records, sent to him by his aunt who emigrated to America in 1948. In 1968 he joined the Alfa Children‘s Theatre in Plzeň as a stagehand and witnessed the August invasion of the Warsaw Pact troops. In the same year, he started working as a disc jockey and, having never seen a disco before, drew inspiration from a Radio Luxembourg DJ. He was the first DJ in Plzeň from the spring of 1969 when he passed the so-called qualification test and got the paperwork allowing him to perform officially. In the mid-1970s, the qualification committees made up of political and cultural workers got tougher, and started prescribing that DJs should play sixty or even eighty percent of songs from the socialist bloc. He had to be employed, and in 1974 he joined the Park of Culture and Recreation and worked as a cultural officer. The State Security Service (StB) became interested in him because of a joke - a postcard from America that gave the impression he had emigrated. Later, the StB took interest in where he was getting his records - besides his aunt, truck drivers, hockey players and football players who travelled to the West were also providing them. The new trend of disco music in the 1970s led him to start doing ‚oldies but goldies‘ disco nights once a year in 1979. In 1980, he started working with Czech Radio‘s Plzeň office. In the 1990s, he phased out doing discos and began lecturing on music history, including at the University of West Bohemia. He has just retired (16 years past his official retirement date), and until recently he prepared shows on new books and the music programme Stars, Hits, Legends for the radio. He is planning a disco night called Oldies but Goldies.