Michael Plátek

* 1966

  • "Not much happened after '48, I think until 1950, until the expropriation of even small family workshops began in the 1950s. My grandfather told me his friends came to him and told him that it would be a good idea to give his workshop to the state. Of course, he didn't like it at all. He didn't want to let something like that happen because he had put money into it, but they said to him: 'You see, I know you have borrowed money for it and you have put a lot of your money into it, but if you don't do it, they will take it away from you anyway - and leave you with debt.' He said leaving Turnov hurt him deeply; it was the place he loved living in. But he decided to give it to the state, and he did. The debt he had with the savings bank were waived but he didn't get anything more; he wasn't offered to stay and work there."

  • "[My grandfather] remembered mainly the Naive Theatre he co-founded and had many memories of traveling with the Naive Theatre to Russia and North Korea in the 1950s. They brought back wonderful things from there, puppets and various memorabilia. From China, Korea and Russia - we still have those, and so it was a great experience for him. They went there and back by train. I can't even imagine how they could bring all that there and back, all the puppet shows. Everything. But they did take the train."

  • "He [my father] didn't pay much attention to it, he said: 'I was such fleeting kid. I would just run around Turnov, playing with the kids, and I didn't care much. I had my own chair at the desk in dad's shop, and whenever I wasn't outdoors, I went to my dad's and sat down and made books from age four; that's when I started learning.' He always said it taught him a lot about technique and detail; he really learned to create his stuff in minute detail from his childhood. When he moved on and graduated as his dad's apprentice in his teens, he went on to high school and everything was much easier. He went to a graphic arts high school in Prague and learned the beautiful ways of bookbinding, although he said was more into sports at the time."

  • Celé nahrávky
  • 1

    Liberec, 25.04.2024

    (audio)
    délka: 01:41:59
Celé nahrávky jsou k dispozici pouze pro přihlášené uživatele.

My ancestors were creative and able to make beautiful things

Michael Plátek, Liberec, 2024
Michael Plátek, Liberec, 2024
zdroj: Post Bellum

Michael Plátek was born in Liberec on 10 September 1966. His great-grandfather, grandfather and father were all book binders. Grandfather František Plátek was born in 1905. He was on forced deployment in Berlin during World War II. After the communist coup, he surrendered his workshop to the state to avoid forced expropriation. He then made puppets and sets for the Naive Theatre in Liberec. Father Jiří Plátek was born in 1929 and learned being a binder from an early age. He was also a photographer, woodcarver and painter. Michael Plátek went to study printing at a vocational school in Rumburk in 1982. He then worked with lithography and offset printing at a print shop in Liberec. From 1992 on, he worked with Strojobal Smržovka for some time and as a freelancer. He graduated from university, got married and had three children. He lived in Liberec in 2024.