Jan Michálek

* 1935

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  • "But I also spent a certain part on that line [the border], I was there for a month and I said to myself, there were always some guys with the older guy I went with who said, 'Hey, if you see something, shoot, if you don't shoot, they'll shoot you'.So it was a different schooling for me, a complete school of life, because I served in the northernmost tip, in Rumburk, the village of Liščí. There it was called Liščí, on the map, on some maps it's not, but on some detailed ones it is. Next to that was the village of Lobendava, in which there were wonderful, really wonderful, huge farmhouses. It was all abandoned, where the Germans had been, because they were Bohemian-Germans, just like in the southern border area or here, for example, in Jihlava, they were also Bohemian-Germans. But it was a terrible sight there, when the patrol was checking, we were obliged to go through those barracks to see if there was anybody there, although there was no chance for anybody to get there, because the border zone reached many kilometres from the normal traffic, so actually it was impossible for anybody to get to the line. Still, they were crossing here and there, that was clear, but in those barracks it was like people had just left. There were blankets, there was everything, but everything was ruined, smashed from those predecessors of ours, those soldiers, and also, I would say, from the looting guards, the Czech ones, who thought, I'll go to the borderlands, and what anyone could steal, they stole it, stole it as if for themselves. They took something to the nearby villages, including cattle and everything. And it was so sad."

  • "And then I have a strange strong experience that when I was a boy I ran to that square, and when I saw those soldiers in wagons, trucks, or when they were coming from the side, from the other side from Beranov, like those horse carts with horses, I was afraid of them. As a boy I didn't have any such respect for them that I looked up to them, as liberators, I didn't really understand why I was afraid as a boy until later, when I saw those pictures or those film shots from television or other things. Because they were actually travelling towards Berlin and for a few nights, for example, they didn't know what water was, so they were dirty, dusty, ragged."

  • "But especially in the afternoon it was not advisable to go, or in the evening, because they would go in the Hitler Youth in a bigger company and of course they would attack us boys. Because the idea was not to hurt us in some rude way, but to ridicule us, to tear off a lapel or a collar, for example, or to tear our hair, to hit us and so on. It was unacceptable for us, but in a way it was understandable for me, because we knew from our household, from our family, that Jihlava was German, that it was like that."

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    Jihlava, 25.07.2023

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    délka: 02:54:37
    nahrávka pořízena v rámci projektu Příběhy regionu - Vysočina
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Everyone is valuable in some way, just by being alive and doing something

Jan Michálek, Jihlava, 1961
Jan Michálek, Jihlava, 1961
zdroj: Witness´s archive

Jan Michálek was born on 18 April 1935 in Jihlava to his mother Pavlína, née Odrážková, and father Jan. He spent his childhood with his three siblings during the Second World War in his hometown and holidays with relatives in Měnín near Brno. His father worked as an electrician during the war for the city‘s electrical works, in the theatre and in gasworks, while his mother was a housewife. After finishing school, Jan Michálek enrolled in a mining apprenticeship, after a year he switched to glass painting in Nový Bor and then to arranging in Teplice. He completed his military service with the Border Guard in northern Bohemia, married and in 1963 left Jihlava for the Prague-based Commercial Advertising (Reklama obchodu), later Merkur. There he had the opportunity to prepare exhibitions abroad, but the pressure of normalisation forced him to leave. In 1972 he landed for 35 years at the National Museum, where he became head of the exhibition department and realized 147 exhibitions. In addition to his museum work, Jan Michálek devoted his lifetime to free photographic work inspired by poetry and nature. After the Velvet Revolution, when he became involved in the Civic Forum, he continued his work until 2007. In 2023, Jan Michálek was living in Jihlava again.