Josef Směšný

* 1950

  • "Yes, they farmed about three hectares. Zbořil, the chairman of the co-operative at the time, told my dad: 'You're going to die on the pangejta with the kids, you don't want to put it into the co-operative', but my dad wouldn't go into the co-operative (it was on my mum), so we ended up with private farming when it became unbearable. In seventy-six, when we kids got stuck in because it was written to Mum and Mum, as a privateer, couldn't retire until she was sixty-five. So we said, 'No, Mom wouldn't survive that.' So somehow this dad forced himself and we went into the co-op."

  • "Dad was with Vaca, mum with Hudec. The peasants basically paid them nothing. I think they more or less kept them in poverty so that they were basically working for them for free. They could sleep there. My dad as a stable boy slept in a chamber somewhere by the horses, or even in the stable by the horses, and my mom as a maid had some sort of black chamber, black kitchen it was called, where she could somehow live and be in that little world. At the moment when the stable boy and the maiden got married, they could no longer be stable boy or maiden with that farmer, they couldn't be part of that family. At that time, they were generally called podruzi in Bohemia, and everywhere in Haná, they were known as hofeři. They lived in a small hoffer room or cottage, with the whole family, including children, crammed into a single space. They had to provide for themselves and, in exchange for the room from the farmer, they had to work for him. Of course, they could also work for someone else—wherever there was work available—but they had to sustain themselves; no one supported them back then."

  • "It was really hard during the First Republic. My dad, when he and my mom got married, his only desire was to build a house and have a farm. He knew from his experience in the First Republic, when a lot of people died, that either he was going to make a living and have a place to live or he was going to die, it was just the way the times were. So my dad started building a house in the fifties and of course he wanted the pigsties there. But in the fifties, the party and the government didn't allow him to do that anymore, what about the pigsties, everybody would go to the cooperative, nobody would farm privately. So after about seven years he sold the house he had built and in 1957 we moved into the present house. My father used to go there to some Vlčeks, they were his friends. The old Mr. Vlček died and the young one, Mitek Vlček, had some problems with the regime, so he ran away. My dad bought the house from them because it was a pigsty. That was his vision, he would have a cow, it would give him milk, meat, he would have a place to live and he wouldn't starve, because a lot of people were dying during the First Republic."

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    Olomouc, 06.11.2023

    (audio)
    délka: 02:18:39
    nahrávka pořízena v rámci projektu Stories of the region - Central Moravia
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My parents joined the JZD (Unified Agriculture Cooperative) only during the normalization

Josef Směšný during the filming for Memory of Nations, 6 November 2023, Olomouc
Josef Směšný during the filming for Memory of Nations, 6 November 2023, Olomouc
zdroj: Memory of Nations

Josef Směšný was born on 1 November 1950 as the third of five children to parents Jan and Božena Směšný. Both parents were half-orphans, came from poor backgrounds, and made their living as sharecroppers on the command farms where they also met. In the first half of the 1950s, the family built a small farm. The father then refused to join a single farm cooperative until 1976, and they had to deal with high deliveries and other problems. Josef graduated from the Secondary School of Electrical Engineering in Olomouc, where he graduated in 1970. In 1973 he got married and together with his wife Ludmila raised two children, Peter (1974) and Vladislava (1977). The marriage lasted twenty years. After the revolution he became a member of the municipal council, where he served until 2014. Since 2012 he has been taking care of the local chapel, where last farewells and weddings take place. He also works externally at the Haná Open Air Museum, several times a year he guides visitors and passes on his memories of how things used to be in Haná. In 2023, at the time of filming, he lived in Příkazy.