Pavel Hlaváč

* 1951

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  • "He even wrote me lyrics, he said, 'Bluesman, here you go.' He was calling me 'Bluesman.' So he wrote me on seven or eight of these little bills from a pub, thickly described, blues. He was there in the pub for two hours, scribbling them with a pen. And then we'd read it, and all we'd read out of those seven notes was the word 'why'. Otherwise, it was all so badly written, as if it was shorthand or antique handwriting, it was something... And the next day we met and I said, 'Hey, Martin, please translate this into Czech for me.' He said, 'Dude, who wrote this?' And he just grabbed it and tore it up and threw it around the pub. Then I thought maybe I could take it as a souvenir. He promised me he'd write me another one, but he didn't get around to it."

  • "On Monday [police officers] came to pick me up at work, the car was civilian. And they took me to the police station. I said, 'What have I done?' There was this silent psychology. Now a State Police officer sat there and said to me: 'What did you say into the microphone on Saturday?' I said: 'I don't know what I said into the microphone.' 'Well, you said something about communists, you said you were playing for communists.' I say: 'Well, wait a minute, that must be some mistake, because we're playing a song called About a Fly (play with Czech words, ed.), so maybe someone misinterpreted it.' 'Well, Mr Hlaváč, look, don't make fools of us.' I say: 'Well, that's the way it was!' All right, that was the end of it. About two months later, again. The car again. 'What were you saying?'"

  • "I looked out the window and there I could see the Antonín [Antonov] planes already, am I saying that right? Those planes heavy as it was heading for Prague. My father, of course, was a member of the Communist Party. Well, it [the occupation in August 1968] made him so angry that he threw away the book, and from then on I couldn't even go to Yugoslavia." - "What did Daddy do for a living then?" - "Then he was a warehouseman, he was in the warehouse of the Gustav and Kliment factory, shoes, socks. There he roller-skated, because he said it was his dream since he was a kid - when he saw some American movies with Chaplin roller-skating. So my father somehow got roller skates, which were not available here. And to the amazement of all his colleagues, especially his female colleagues, he was roller-skating in the warehouse."

  • "We were sitting in the café where we played and there are big windows, you can see the whole square. And we were waiting for the tanks, and now somebody came in and said, 'Here they come!' And so we ran out and the tanks were about - I don't know, five kilometers, three kilometers before Třebíč, but the ground was shaking... just an indescribable experience, destructive, terrible. And then suddenly the tanks started crossing the square. We had rocks to throw at them, in our pockets, and nobody thought to throw them, because we were scared and we were looking at the Russian tanks."

  • Reportage made by students of the Grammar School Třebíč

  • Celé nahrávky
  • 1

    Třebíč, 15.03.2023

    (audio)
    délka: 46:28
    nahrávka pořízena v rámci projektu The Stories of Our Neigbours
  • 2

    Třebíč, 24.07.2023

    (audio)
    délka: 02:07:59
    nahrávka pořízena v rámci projektu Příběhy regionu - Vysočina
Celé nahrávky jsou k dispozici pouze pro přihlášené uživatele.

The Bolsheviks couldn‘t get to the musicians, we played all the time

Pavel Hlaváč, 1968
Pavel Hlaváč, 1968
zdroj: witness´s archive

Pavel Hlaváč was born on 28 March 1951 in Třebíč. His father Alois, who studied in Moscow, was a staunch communist with a desire to change the world. It was only after August 1968 that he and the witness found their way together, when his father left the party. His mother Milada worked as a hairdresser. Pavel Hlaváč fell in love with bigbeat while growing up, grew his hair and enjoyed his first experiences on stage with the first band Babrani. After primary school, he apprenticed as a milling cutter at Západomoravské Machine Works. Between 1970 and 1972 he served his compulsory military service, most of the time as a member of Ernst Thelman‘s Show Ensemble, with which he toured, for example to the GDR. After returning from the war, he joined the soul band Articulus, with which they played until 1975, before being banned due to the singer‘s American way of performing. Instead of the underground, they moved to a café, where they played three times a week, and at the same time, the witness worked in the Třebíč factory of the United Artistic and Industrial Works (UP Závody) as a miller. He also began to paint pictures, developed his own technique, „shmirglage“, and exhibited in the Czech Republic, for example at the Zámostí Třebíč festival, or in Vienna at the Nachtasyl bar. Even in 2023 he lived in Třebíč and still performed, especially with his blues band Hlaváč and Co.