Viera Boronkayová

I saw tanks at Černová, if you know the entrance to Ružomberok, because we lived there, so there stood the units. They were young boys, 18 years old, our aunts, our friends, used to give them water and food, milk, and they didn't even know where are they. It was strange. My grandfather was so disappointed that he cried. Because it was a generation who believed that the Russians had liberated us and helped us to get out of World War II, and that they would be our supporters and brothers, and they would betray us like that. My father was another generation, he thought it was one of the biggest crap that happened to us and the development of Czechoslovakia could move somewhere else, if it wasn't stop in 1968.

"For me it wasn't funny at all that I got into the Radošinské naïve theater, because there were already rumors about the Radošinské naïve theater when I came to Bratislava. It was grounded by Stanislav Stepka and Milan Markovic, who worked in teacher newspaper. I came to them in the newsroom, then we get to know each other, then I sang them and I was accepted.... I didn't really know what a wonderful body it was. I really liked the poetics of the productions, as well as the revolt which was there: Unreal Stano Štěpka and Unreal Milan Markovič, Mrs. Kolníková, if I had to name them all, I would probably need a lot of (time). I had the honor of meeting the first members of the Radošinské Theater, I really appreciated it. "